Why Reinvent the Wheel? My Pick of Comedies That Outshine New Releases — 80% and Up on RT

Why Reinvent the Wheel? My Pick of Comedies That Outshine New Releases — 80% and Up on RT
Image credit: Legion-Media, Stills from 'The Grand Budapest Hotel', '21 Jump Street', 'What We Do in the Shadows'

Timeless laughs and stories worth watching again and again.

Comedies come in many flavors — with a touch of absurdity, sharp satire, or pure feel-good charm. But these films have one thing in common: critics on Rotten Tomatoes gave them over 80 %, and I think that’s the best proof they have a special magic that makes us return to them again and again.

The Grand Budapest Hotel (2014) — 92 %

The tale of concierge Gustave H. and his young protégé Zero is classic Wes Anderson: bright, symmetrical, and bittersweet.Its visual style alone is worth the watch, but the dry humor and quirky charm make it unforgettable.

Seven Psychopaths (2012) — 82 %

A struggling screenwriter gets tangled up in the LA criminal underworld after his eccentric friends kidnap a gangster’s beloved dog.

Why Reinvent the Wheel? My Pick of Comedies That Outshine New Releases — 80% and Up on RT - image 1

The dark humor, unexpected twists, and brilliant performances (yes, Christopher Walken steals the show) make it one of my favorite 'smart comedies' ever.

21 Jump Street (2012) — 85 %

Two underachieving cops go undercover at a high school — and discover teenage life is way different than they remember. It’s outrageous, self-aware, and endlessly quotable. Plus, Channing Tatum and Jonah Hill’s chemistry is comedy gold.

Scott Pilgrim vs. the World (2010) — 83 %

Scott must defeat his new girlfriend’s seven evil exes in video-game-style battles to win her heart. Visually wild and packed with geeky references, it’s the kind of film that feels like a live-action comic book — and I think it’s pure joy start to finish.

Why Reinvent the Wheel? My Pick of Comedies That Outshine New Releases — 80% and Up on RT - image 2

What We Do in the Shadows (2014) — 96 %

A mockumentary about four vampire flatmates trying to navigate modern life in New Zealand. Deadpan humor meets supernatural absurdity — and somehow, it’s both hysterical and oddly wholesome.

rewatchable comedy
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