Emmy Awards 2026 predictions: Mariska Hargitay hosts as the first woman in 15 years — and she's already won twice this month
Tatiana Santos
Tatiana Santos
Emmy Awards 2026 predictions: Mariska Hargitay hosts as the first woman in 15 years — and she's already won twice this month
Tonight's the night, and for once I'm not dreading the monologue. The 78th Emmys go down at the Peacock Theater, and the person holding the microphone is not a stand-up doing contractually obligated jokes about streaming.
Crush of the day
Lady Gaga - Crush of the day
Lady Gaga From: Wednesday, American Horror Story

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5 Best TV Series From the 80s That Will Hit You Right in the Nostalgia, Ranked by IMDb
Julia Talakh
Julia Talakh
5 Best TV Series From the 80s That Will Hit You Right in the Nostalgia, Ranked by IMDb
It's time to experience the magic of good old television.
Monster: The Lizzie Borden Story cast and true story: Netflix's premiere puts Charlie Hunnam under the axe this time
Tatiana Santos
Tatiana Santos
Monster: The Lizzie Borden Story cast and true story: Netflix's premiere puts Charlie Hunnam under the axe this time
Ryan Murphy's Monster machine has run through Dahmer, the Menendez brothers, and Ed Gein, and on Thursday, September 17, it finally hands the franchise to a woman — all eight episodes at once, because Netflix knows exactly what we are.
What to expect from Reacher spinoff Neagley: premiere date, cast, Alan Ritchson's return — and why this story isn't in any Lee Child book
Tatiana Santos
Tatiana Santos
What to expect from Reacher spinoff Neagley: premiere date, cast, Alan Ritchson's return — and why this story isn't in any Lee Child book
This Wednesday, September 16, Prime Video pulls off a genuinely unhinged scheduling flex: the Reacher Season 4 finale airs, and the same day, all eight episodes of Neagley drop at once.
NCIS: New York premiere date and crossover preview: LL Cool J hints at who could walk through the door
Tatiana Santos
Tatiana Santos
NCIS: New York premiere date and crossover preview: LL Cool J hints at who could walk through the door
Mark your calendars, procedural heads: October 6, Tuesday, 9/8c on CBS. That's when Sam Hanna officially becomes a New Yorker again, sandwiched neatly between the mothership and NCIS: Origins like the world's most tactical deli order.
What to expect at The Traitors: New Blood premiere — Alan Cumming teases a twist and admits the "normies" shocked him
Tatiana Santos
Tatiana Santos
What to expect at The Traitors: New Blood premiere — Alan Cumming teases a twist and admits the "normies" shocked him
Clear your Thursday, because the doors of Ardross Castle creak open again on September 17 — this time on NBC proper, with a two-hour premiere at 8 p.m. ET and next-day streaming on Peacock.
Why the Sydney Sweeney Novig ad is so controversial: the backlash is now led by Olympic gold medalists
Tatiana Santos
Tatiana Santos
Why the Sydney Sweeney Novig ad is so controversial: the backlash is now led by Olympic gold medalists
Sydney Sweeney has once again done the thing she does best, which is star in an ad that makes the entire internet clock out of work early. This time it's for Novig, a sports prediction market you had never heard of until approximately Tuesday.
5 Best Netflix Documentaries About Actors, Singers & Celebrities, Ranked by RT
Julia Talakh
Julia Talakh
5 Best Netflix Documentaries About Actors, Singers & Celebrities, Ranked by RT
From poignant portraits of film and music legends to candid tales of pop culture icons.
William Friedkin Despised This 10%-Rated Horror Sequel So Much He Called It An "Abomination"
Julia Talakh
Julia Talakh
William Friedkin Despised This 10%-Rated Horror Sequel So Much He Called It An "Abomination"
It remains a prime example of how even a talented director can fail when making a sequel to a cult classic without understanding its essence.
Ingrid Bergman Just Hated Making This 34%-Rated Hitchcock Drama: "Suffer and Loathe"
Julia Talakh
Julia Talakh
Ingrid Bergman Just Hated Making This 34%-Rated Hitchcock Drama: "Suffer and Loathe"
It has gone down in history as one of Hitchcock's rare failures and a painful episode in Bergman's career.